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姜澯熙,李东辉最小的女儿
纳迪亚·梅利蒂,朴智敏,阿米娜·本·莫哈迈德,梅丽莎·古尔斯,丽塔·邦曼纳纳,Razzak Ridha,路易·梅米,Waniss Chaouki,阿诺亚·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·谢夫曼,Gabriel Elkaïm,Vincent Pasdermadjian,Victorien Bonnet触电2025
林敏骢,陈颖欣,柯炜林,伍咏薇,苏皓儿,罗莽,冯素波,卢慧敏,陈毅燊,陈苡臻,吴肇轩,罗浩铭急转直下
凯特·贝金赛尔,斯科特·伊斯特伍德,马特·克拉文,安娜·戈尔佳,塔利亚·亚瑟拉夫,阿文·卡纳尼安,亚历杭德拉·霍华德,罗伯特·法里奥尔,乔丹·杜维尼奥,马达莱娜·瓦莱基·威廉姆斯,帕滕·休斯,马西莫·麦奎因青出于蓝2025
索菲娅·莉莉丝,戴夫·巴蒂斯塔,鲍比·坎纳瓦尔,凯特·德尔·卡斯蒂洛,杰克·尚皮永,托尼·达尔顿,布鲁·德尔·巴里奥,印达·纳瓦雷特,惠特尼·皮克,泽尔·亚当斯梦乡
杰森·莫玛,玛洛·巴克利,凯尔·钱德勒,克里斯·奥多德,茵地亚·德·比尤福特,亨伯利·冈萨雷斯,托尼娅·科妮斯,韦鲁切·欧皮亚,凯特琳娜·塔克西亚,迈克尔·布莱克,杰米拉·罗斯,张振熙,Luxton Handspiker,Sergio Osuna,Cameron Nicoll同类推荐
马尔切洛·埃尔南德斯：美国男孩
马尔切洛·埃尔南德斯Marcello Hernandez: American Boy. Only on Netflix January 7.
美食总动员
帕顿·奥斯瓦尔特,伊安·霍姆,卢·罗曼诺,布莱恩·丹内利,彼得·孙,彼得·奥图尔,布拉德·加内特,詹妮安·加罗法洛,威尔·阿奈特,詹姆斯·瑞马尔,约翰·拉森贝格,泰迪·牛顿,托尼·弗希勒,杰克·斯坦菲尔德,布拉德·伯德,林赛·柯林斯,布拉德·刘易斯,洛丽·理查德森,迈克·吉亚奇诺小老鼠雷米在嗅觉方面有着无与伦比的天赋，不想过与垃圾堆为伴的生活，心怀成为五星大厨的梦想。 一个偶然的机会，他认识了古斯特餐厅的学徒林奎尼，这个倒霉的学徒生性害羞，在厨艺上更是没有什么天赋，并且遭到餐厅大厨的排挤，即将被解雇。这一人一鼠结成了奇特的联盟：雷米奉献自己极富创造力的大脑。操作林奎尼前台“表演”。 在雷米的帮助下，林奎尼不但成为新的“天才厨师”，获得了美女同事的爱情，还挫败了大厨的阴谋，成为古斯特餐厅的合法继承人。突如起来的成功让林奎尼有些不知所措，想摆脱自己的傀儡身份，把雷米赶出了厨房。 古斯特餐厅的成功，引起了苛刻的美食评论家科隆的注意，准备一尝林奎尼的手艺，重新为餐厅评定星级；而不甘失败的前大厨，蠢蠢欲动，想要找到林奎尼一夜成名的秘密。失去了雷米，林奎尼该如何面对这些问题……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
眨眼之间
凯特·麦克金农,戴维德·迪格斯,拉什达·琼斯,Jorge Vargas,塔娜亚·比蒂,斯凯沃克·休斯,Rhona Rees,Tatyana Rose Baptiste,Nox Watkins,Tyson Night,卢克·罗德里克,安德丽亚·邦,Diana Tsoy,Aria Kim,Yeji Kim,Cameron Roberts,Theodore Starr,卡琳·考诺娃,Gui Fontanezzi,Lydia Campbell影片通过跨越数千年、不同时空的三条故事线，交织出无形之中彼此呼应的科幻寓言。
恶鬼病毒
村重杏奈,太田将熙,桑山隆太,华村飞鸟,吉田伶香,角由纪子,鸟之海凪纱,田中要次改编自二宫敦人的超人气恐怖小说《恶鬼病毒》，讲述YouTuber内川智樹带着他的朋友日名子、颯太和奈々枝来到传闻中有着神秘失踪事件的旧石尾村拍摄一段调查都市传说的视频。几天后，警方在村外的一条隧道附近发现了四人租用的汽车，而在现场发现的一台摄像机则记录下了令人震惊的画面。紧锁的房屋、身着武装制服的儿童、被关起来的成年人，以及在新月之夜发病的成年人......这个村子里究竟发生了什么？