凶爱
两名男子和妇女站在夏天人群已经空无一人的海滩。 女人的名字是桥本健二 （并行树 Shiro） 山口 Maki （西野翔），一个人的名字。 Maki 是仍围绕在顺江 (美智子 Saiki) 12 岁的老母亲和桥本是在爱的关系。 但桥本扭曲的欲望望，女儿 Maki 伸展触感兴趣正。 Maki 保护顺江是不可避免的但从其无奈他们最后一条命。 Maki 长大，拥有和苦恼中 DV 原筱崎 fugo （千叶诚正树） 告别小吃独奏过去勇敢地遏制住。 一天，Maki 店意外的桥本作为嘉宾出现。 Maki 的心灵冻结，眼说 Maki 熟悉的。 出现的前面 Maki 筱崎应进一步对边缘剪了再一次。 开始吃 Maki 身体无情，一再柄。 那绝望 Maki 生活重复的失望和无奈。 但黑色的线编织的身体最终 Maki 的命运一边一样松散去看。
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玛格特·罗比,瑞恩·高斯林,亚美莉卡·费雷拉,阿丽亚娜·格林布拉特,凯特·麦克金农,海伦·米伦,威尔·法瑞尔,伊萨·雷,哈莉·尼夫,艾玛·麦基,亚历山德拉·希普,莎朗·鲁妮,妮可拉·考夫兰,迈克尔·塞拉,康纳·斯温德尔,舒提·盖特瓦,刘思慕,金斯利·本-阿迪尔,斯科特·埃文斯,杜阿·利帕,约翰·塞纳,雷亚·普尔曼,里图·阿亚,安娜·科鲁兹·凯恩,埃默拉尔德·芬内尔,詹米·德米特鲁,安·罗斯,玛瑞萨·阿贝拉,妮基塔·查达哈,安妮·玛莫罗,麦肯纳·罗伯茨,汉娜·卡利克-布朗,斯特林·琼斯,黛布·海特,杰西卡·在梦幻浪漫的芭比乐园里，美丽自信的芭比们每日过着快乐无忧的生活，她们活跃在每一个工作岗位，肯是点缀，女孩的聚会才至关重要。直到某一天，我们的主角芭比（玛格特·罗比 Margot Robbie 饰）突然提到了生死，她的完美生活毫无征兆发生改变。她的口气不再清新，面容开始犹豫憔悴，也无法轻盈地从顶楼飘落下来。经前辈点播，她意识到人类世界某个人和她建立着联系，而那个人的心境似乎正投射到芭比的身上来。为了找回曾经的完美生活，芭比和肯（瑞恩·高斯林 Ryan Gosling 饰）辗转来到现实世界，并经过一番波折见到了葛洛莉娅（亚美莉卡·费雷拉 America Ferrera 饰）母女，而肯也在见识到男权社会的魅力之后，心中升起要改变芭比乐园的念头……
失踪儿童录像带
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等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.